The corpus of Rembrandt's etchings is less problematic, thanks in large part to the eighteenth-century catalog compiled by Adam von Bartsch. Rembrandts life was riddled with extreme highs and lows, yet he remains one of the most accomplished artists of all time. Following Saskias death, Rembrandt immersed himself in his work. Copyright document.write(new Date().getFullYear()) - All Rights Reserved - Rembrandt Experts. Original and re-issued prints by Rembrandt have sold for between $5,000 and $150,000 on the market. Browse Rembrandt Catalogue Raisonns Online. Watermark Identification in Rembrandt's Etchings An etching made using a metal plate was a method preferred by artists such as Rembrandt, according to the Fine Art Advocacy. At the time of Basan's death in 1797, Rembrandt's copper etching plates were inherited by his son, Henri Louis Basan, who published a limited second recueil. This is simply fantastic. has two etchings on paper mounted on a sheet. His printmaking career was parallel to his painting careerhe rarely used the same themes in both media, and he only occasionally reproduced his paintings in prints. If you want to see just how painstakingly detailed these are, go to the International Foundation for Art Research (www.ifar.org) and plug in a famous artists name. First and foremost it is a question of quality of how strong, clear and rich the image appears. Prices vary widely based on size, subject matter, edition, and condition, from a few hundred dollars for small portraits or works attributed to imitators up to several hundred thousand dollars for major works. As with many artists of the time, Rembrandt originally made a name for himself through his portraits. This provides some evidence as to a possible print run at the time the idea of a limited edition only arose in the second half of the 19th century. Look at my first paragraph: B-128 and B-271. Those are the numbers assigned to Rembrandts prints by the late 18th through early 19th century scholar Johann Adam Bernhard Ritter von Bartsch (1757-1821) of Austria. Self portrait in a flat cap and embroidered dress, The boat house [Grotto with a brook; Het spelonkje], Cottages and farm buildings with a man sketching, Nude man seated on the ground with one leg extended, A young man seated and standing [The walking trainer], Ephraim Bonus, Jewish physician [1599-1655], Jan Asselyn, painter [Crabbetje; 1610-52], Medea: or the marriage of Jason and Creusa, Pharisees in the Temple [Jews in the synagogue], Beggars receiving alms at the door of a house, Landscape with three gabled cottages beside a road, Canal with a large boat and bridge [Het schuytje op de voorgrondt], Clement de Jonghe, printseller [1624/25-77], Sheet of studies with the head of the artist, a beggar woman, woman and child, Landscape with trees, farm buildings and a tower, Christ disputing with the doctors: a sketch, Landscape with a hay barn and a flock of sheep, The adoration of the shepherds: a night piece, The Virgin with the instruments of the passion, Landscape with a fisherman [Het melkboertje], Christ crucified between the two thieves [Three crosses], The rest on the flight: altered from Seghers, Landscape with a shepherd and a dog [Het jagertje], St. Jerome reading in an Italian landscape, Christ returning from the Temple with his parents, The Virgin and the child with the cat and snake, The adoration of the shepherds: with the lamp, The presentation in the Temple in the dark manner, Pieter Haaringh [Young Haaringh; 1609-85], Thomas Haaringh [Old Haaringh; died 1660], Christ and the woman of Samaria: an arched print, Woman sitting half dressed beside a stove, Seated naked woman with a hat beside her [Woman at the bath], Seated naked woman [Woman bathing her feet at a brook], Lieven Willemsz van Coppenol, writing-master: the larger plate, Peter and John healing the cripple at the gate of the Temple, The woman with the arrow [Venus and Cupid?
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